• Aladdin. Directed by Ron Clements. (1992).
• Bullock, Zhou. “Entertainment or Blackface? Decoding Orientalism in a Post-9/11 Era: Audience Views on Aladdin.” The Review of education/pedagogy/cultural studies 39: 2017.
• Bow, Leslie. “Racist Cute: Caricature, Kawaii-Style, and the Asian Thing.” American quarterly, no. 1, 2019.
• Cheu, Johnson. (Ed.) Diversity in Disney Films: Critical Essays on Race, Ethnicity, Gender, Sexuality, and Disability. North Carolina: McFarland & Company, Inc., Publishers, 2013.
• Indiana Jones and the Temple of Doom. Directed by Steven Spielberg. (1984).
• Teo, Hsu-Ming. “American Popular Culture through the Lens of Saidian and Post-Saidian Orientalist Critiques”. Macquarie University: 2014.
• Voice, Guest. “How the New ‘Aladdin’ Stacks up Against a Century of Hollywood Stereotyping”. The Moderate Voice BLOG: San Diego, 2019
• Kiyomi, Kutsuzawa. “Disney’s Pocahontas: Reproduction of Gender, Orientalism, and the Strategic Construction of Racial Harmony in the Disney Empire”. Asian Journal of Women’s Studies, 2000.
• Lady and the Tramp, Directed by Hamilton Luske. (1955).
• Lockman, Zachary. Contending Visions of the Middle East, The History and Politics of Orientalism. Cambridge: Cambridge University Press, 2004.
• Mukhopadhyay, Debatitya. Excavating Indiana Jones: Essays on the Films and Franchise. Edited by Randy Laist. North Carolina: McFarland & Company Inc., Publishers, 2020.
• Rosenblatt, Naiomi. “Orientalism in American Popular Culture”. University of Pennsylvania, 2009.
• Said, Edward. Orientalism. New York: Vintage Books, 1979.
• Sano-Franchini, Jennifer. “Sounding Asian/America: Asian/American Sonic Rhetorics, Multimodal Orientalism, and Digital Composition.” Enculturation: 2018
• Semmerling, Tim Jon. “Evil Arabs” in American Popular Film: Orientalist Fear. Texas: University of Texas Press, 2006.
• Three Kings, Directed by David Russel. (1999).